2015 Festival Dates Announced!

We’re pleased to be able to announce the dates for Birmingham Fest 2015.

They are 17th July-2nd August (inclusive) just before Edinburgh Fringe.

Applications will open in January .

Finalised 2014 line-up & brochure!

Birmingham Fest 2014

 

The programme of events for Birmingham Fest 2014 has been finalised!

You can see the full list here

Alternatively you can download the brochure here:

Birmingham Fest 2014 brochure

This can also be downloaded from our main website page.

 

We have a great (and bigger), varied selection of shows so please have a look through. We’re sure you will find something you like the look of – hopefully a few things!

And don’t forget to share!

Library of Birmingham

Library of Birmingham

 

We are pleased to announce the new Library of Birmingham as a venue for this year’s Birmingham Fest.

As a place of learning and culture for all ages, the LoB is keen to host some family friendly performances during the festival. They are also keen to make these events free and accessible for all.

We are therefore looking for artists or companies that would like to deliver such events and showcase their work in this fantastic new venue. So if your speciality is family friendly/child orientated performances then please get in touch. Also anyone who runs workshops that may be suitable (these may be able to be charged events).

They are particularly keen to hear from anyone that may have anything that fits in with this summer’s reading challenge which has the theme of “Mythical Maze”. You can read more about this here.

There are also a few slots available for singers, bands, or musicians for Wednesday lunchtime concerts during the festival in the fantastic outdoor amphitheatre. A great space to perform in.

You can apply in the usual way here (or via the perform page). As these are free events there is no hire charge for the spaces, just the application fee (which includes administration & marketing).

“WEST SIDE STORY” review

 

West Side Story

New Alexandra Theatre, Birmingham

UK Tour

Wednesday 2nd April 2014

 

 

 

 

Jerome Robbins’ original production of West Side Story was first staged in 1957 and was a game-changer. Since then we’ve seen numerous musicals come and go. So, over fifty five years later, the question is – has it stood the test of time. The answer quite simply is yes. The theme of opposing gang culture is as relevant today as it was back then.

The story is one as old as time – boy and girl meet, fall in love, but destiny is against them. It is based on the love story to end them all – Romeo & Juliet (we even get a balcony scene) but it’s not necessarily the story that is the main attraction. Those honours really go to Leonard Berstein’s stunning score, Stephen Sondheim’s wonderful lyrics, and Jerome Robbins’ ground-breaking choreography (lovingly reproduced here by Joey McKneely who also directs).

A young and energetic cast of thirty three tackle the choreography with much exuberance – especially during the “Dance at the Gym” stand-off, “Cool”, and the beautiful ballet sequence (“Somewhere”).  It seems unfair to pick anyone out from the talented ensemble but Matthew Hawksley really stood out as Action, getting his chance to shine centre stage in the very well received “Gee, Officer Krupke”.

Another stand-out performance comes from Djalenga Scott as the sexy and fiery Puerto Rican Anita (very reminiscent of “Ugly Betty’s” sister Hilda). One of the best female roles in musical theatre, Ms Scott brings all the aspects of Anita’s character to life. A highlight is her duet with Maria – “A Boy Like That/I Have A Love” which they both perform outstandingly.

That brings us to our star-crossed lovers. Louis Maskell plays Tony. Not physically like any other Tony I’ve seen but actually a nice change and very warming character. His voice is fantastic and would give Josh Groban a run for his money.

We had an understudy Maria for this performance, which can incite some reservation. However, I have to say, if we had not been told that it was a stand-in we would never have known. Charlotte Baptie played Maria with so much confidence it was as if the part was hers and she certainly made it her own. Her voice is beautiful and she made a great pairing with Louis.

You’ll know most of the songs in this show but a special mention must go to the “Tonight” medley which closes Act 1. A very difficult piece to sing but the cast did it more than justice.

As for the set, the stage was actually quite sparse but with a clever use of 1950’s New York projection and industrial fire escapes (all designed by Paul Gallis) it made us feel like we were right there in the neighbourhood.

 

4.5 stars. Robbins would be proud.

 

Darren Haywood

“Annie” review

 

Annie

Annie

 

New Alexandra Theatre, Birmingham

 

Stage Experience

 

Thursday 22/08/13

 

 

“Stage Experience” is held every August at the New Alexandra Theatre Birmingham. Basically a summer school for young performers, they have a few weeks to rehearse and then get to perform a full musical on stage at the Alex – one of the Midlands’ biggest theatres. A fantastic opportunity. What they manage to achieve in two weeks (or 12 days to be precise) is amazing. We’re not talking a school play here, this is the works – professionally directed and choreographed, full orchestra, sets, costumes, the lot. Professional companies would struggle to pull that off in that time. Director/choreographer Pollyann Tanner takes on (and achieves) this huge challenge.

 

For their tenth anniversary show, Stage Experience have chosen the award-winning Broadway musical “Annie”. As cheesy musicals go, Annie is right up there. Not that that’s a bad thing, it’s a great bit of escapism and full of feel-good factor. It’s like a sugar-coated, all-American, female version of “Oliver” – a story about an abandoned orphan that triumphs. Although it’s set during the great depression, it’s not as gritty as the Dickensian Oliver.

 

Taking on the mantle of the cutesy heroine is Georgia Millie Price. With a mane of curly red hair she bounds through the two hour show with all the vim and verve that the role requires. A little star in the making. Much must be said for the other orphans though, of which there are many. They shine in “Hard Knock Life” and especially the wonderful “You’re Never Fully Dressed Without A Smile”.

 

The ages of this 136 strong cast (yes, 136!) vary from 9-22 so the adults in the story are played by the older members. Katie Gladwin plays the gill-swigging evil Miss Hannigan with great gusto, whilst Rosie Coles beautifully plays Grace Farrell in a sophisticated performance that belies her young age. However, all the cast give their absolute all. Richard Batham (a fine voiced Daddy Warbucks) even shaved his head to play Annie’s famous saviour.

 

It’s always great to see the number “NYC” in the stage show (it was replaced in the 1981 movie by the inferior “Let’s Go To The Movies”) and it is performed here in all its full production number glory. A highlight.

 

Finally, I should mention a veteran star of the show – Sandy the dog. Played here by Danny who has a place in the Guinness Book of Records for the most performances done by a dog in a theatrical show. He was the same dog I saw in the same musical at the same theatre over ten years ago! He has come out of retirement to accompany Annie once more. A very cute moment came when Annie hit the high note in “Tomorrow” and he shook his head. To be fair, he has heard it a fair few times!

 

4 stars. Not just kids play.

 

Darren Haywood

 

 

Finalised line-up & Brochure

Brochure page 1

The programme of events for Birmingham Fest 2013 has been finalised!

You can see the full list here

Alternatively you can download the brochure here:

Birmingham Fest 2013 brochure

This can also be downloaded from our main website page.

We have a great, varied selection of shows so please have a look through. We’re sure you will find something you like the look of – hopefully a few things!

 

Join us for our very first year!

BROCHURE DEADLINE

IMPORTANT UPDATE:

We have set a submissions deadline as FRIDAY 10th MAY for inclusion in the festival brochure.

Any submissions received after this deadline (if successful) will only be advertised online.

Applications may still be submitted as long as there are slots available.

Please share with anyone you think should know.

British Theatre Guide promotes Birmingham Fest!

The Old Joint Stock Theatre“Birmingham gets its own fringe before Edinburgh”

Steve Orme

Birmingham Fest will celebrate the second city’s venues and arts scene in a two-and-a-half-week programme of events.

 

A festival spokesman said, “Birmingham has fantastic theatres and performance venues. It has the potential to host a festival to rival and possibly better other cities.

“This festival will be great for the city and its arts scene. As well as having an eclectic programme of performances, it will introduce companies and patrons to some of the city’s venues that they may not be familiar with.

“It’s also an excellent opportunity for performers in a pre-Edinburgh slot. Artists and companies may use this festival as a taster before going to Edinburgh or as a stop-over.

“They may use it as a try-out before taking the leap. Others may use it as a less expensive alternative, especially those in the southern half of the country”.

Applications for the festival, which takes place between 12 and 28 July in venues across the city, can be submitted through the Birmingham Fest web site

The article can be viewed online here.